Paintings by the Dutch masters are defined by chiaroscuro lighting, symbolic objects, and layered compositions that reward close inspection. This project examines how those classical techniques translate into contemporary photographic practice.
The still life was constructed entirely in the studio. The ceramic vessels featured in the composition were designed and hand-built in the studio. The botanical arrangement was sourced, conditioned, and composed to balance the tension between abundance and decay. I used fresh blooms alongside dried roses, ripened fruit, cicada exuvia, and crystals. Every object was chosen for its texture, symbolic weight, and tonal value within the frame.



