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image, object, and space.The work spans digital experience, brand systems, editorial photography, and short film. Different formats, same instinct: build things by hand, tailor every decision to the specific project, and make sure the final piece holds up in real-world use, not just on a portfolio page. The aesthetic is biophilic, moody, cinematic.
tactile pass.
Even digital projects begin with something physical: a pencil sketch, a paper mockup, a quick studio test. I began my practice working with tactile media. From that, I've found that working out structural decisions in physical space before moving to software keeps the final product specific and in scope. The shape of the thing gets resolved before production work starts, which means less time spent fixing and more time refining as the project progresses.
commercial photographer and designer building toward creative direction.The near-term focus is commercial photography and brand systems. Floral work and ceramics continue primarily as build resources for editorial shoots, rather than as standalone services. The longer arc is to segue my operational leadership and design education into creative direction.
